TOUCH & SIGHT
TOUCH & SIGHT
TOUCH & SIGHT
Is it possible to find the self within the stretch marks of birth in the mother’s skin?
Is it possible to find the self within the stretch marks of birth in the mother’s skin?
Is it possible to find the self within the stretch marks of birth in the mother’s skin?
We are rooted in the invisible.
We are rooted in the invisible.
We are rooted in the invisible.
The mother is the first invisible other, the very first subject of our primary engagement and the original contact with the world. We all begin to perceive the mother long before we actually see her.
The mother is the first invisible other, the very first subject of our primary engagement and the original contact with the world. We all begin to perceive the mother long before we actually see her.
The mother is the first invisible other, the very first subject of our primary engagement and the original contact with the world. We all begin to perceive the mother long before we actually see her.
The skin of the mother as both home and homeless. And homesickness.
The skin of the mother as both home and homeless. And homesickness.
The skin of the mother as both home and homeless. And homesickness.
If the mother’s body is a space, the body of the infant then is perhaps a loss from the maternal body.
If the mother’s body is a space, the body of the infant then is perhaps a loss from the maternal body.
If the mother’s body is a space, the body of the infant then is perhaps a loss from the maternal body.
The instinct to possess and keep the body of the infant, evolved into an impulse to photograph the mothers’ ways of collecting and remembering the skin of the infant, a skin born out of both; a separation and fusion.
The instinct to possess and keep the body of the infant, evolved into an impulse to photograph the mothers’ ways of collecting and remembering the skin of the infant, a skin born out of both; a separation and fusion.
The instinct to possess and keep the body of the infant, evolved into an impulse to photograph the mothers’ ways of collecting and remembering the skin of the infant, a skin born out of both; a separation and fusion.
A photograph of an object that speaks about the confusion between two bodies isn’t it clearly a double portrait?
A photograph of an object that speaks about the confusion between two bodies isn’t it clearly a double portrait?
A photograph of an object that speaks about the confusion between two bodies isn’t it clearly a double portrait?